An Ancient Study or Art Which Attempted to Combine Science and Philosophy to Solve Worldly Problems

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If y'all've ever taken an fine art history grade or spent time in a fine arts museum, chances are you know a lot nearly the men who "defined" their mediums. As with other subjects, near of what we learn about art history today nevertheless centers on white men from Europe and, later, the U.s.. In reality, there are then many more artists of all genders to acquire from and capeesh.

Here, nosotros're specifically taking a await at merely some of the women who take had lasting impacts on their art forms. From some of the art world's nearly iconic pioneers to its virtually unsung heroes, these women artists all had a paw — and, in some cases, nevertheless have a mitt — in changing the world of fine art and how we define information technology.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. After studying the work of painters similar Cézanne and Monet while abroad, she returned to the The states, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman's Untitled Moving-picture show Stills (1977–80). series. Photos Courtesy: Museum of Mod Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps virtually well known for her series of Untitled Film Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Slice, 1964, and a picture of the installation Half-A-Room, 1967, every bit seen at the Museum of Modern Fine art in New York Metropolis in 2015. Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Yous might first think of Yoko Ono as a musician and activist, but she'due south besides an achieved operation and conceptual artist. Ono was considered a pioneer in the performance art motion, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Piece, was a functioning she first staged in Nihon; Ono sat on stage in a prissy conform and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come on stage and cut away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't exercise it, I offset to choke."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (full and particular). Photos Courtesy: Museum of Modern Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed equally a social worker. A printmaking elective changed her entire career trajectory — and, in turn, function of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play a joke on is to seduce the viewer," Saar has said. "If you lot can get the viewer to look at a work of art, then y'all might be able to give them some sort of message."

Frida Kahlo

People wait at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'southward rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like decease and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded every bit one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-real sculptures, polka dots, installations, and then much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Starting time Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'southward piece of work — and her signature grayscale skin tones — as she was the commencement Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Serial Cherry-red With Yellowish in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you lot probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, only maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all past painting in her unique way.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'south biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her piece of work to question social club, identity, and racial politics by enervating the audience to confront truths well-nigh themselves. She often challenged people on the streets of New York to guess her race, socio-economic grade, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works oft create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual creative person, Jenny Holzer'south work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, cognition, and promise. I of her more than notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe creative person, she works to heighten awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Piffling Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures within the early on Feminist Art movement. As exemplified in her iconic work The Dinner Political party, her installation pieces often examine the role of women in history and civilisation — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the U.s..

Augusta Savage

Augusta Savage with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, often of Black folks, Savage founded the Savage Studio of Craft in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modernistic Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just await up her most famous piece of work, Interior Scroll, and you'll see what nosotros mean.) She used her torso to examine women'due south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal guild.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City'south queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect similar an Andy Warhol to you lot? Well, that's the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-proper noun artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite aroused. Withal, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing and then, displays diverse subcultures in formal portraits — just in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to accost global bug such every bit racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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